Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Matthias Grunewald 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
52037		Annunciation and Resurrection	c. 1515 Oil on wood,
87844		Carrying the Cross	between 1523(1523) and 1524(1524) Medium Oil on wood cyf
52035		Concert of Angels and Nativity	c. 1515 Oil on wood, 265 x 304 cm
1833		Crucifixion	1510-15
21367		Crucifixion (mk08)	1512-1516 Oil on wood 269x307cm Colmar,Musee d'Unterlinden
84323		Erasmus durch Hl	English: c. 1517-1523 Medium Oil on wood cyf
30463		Isencheim Altar Crucifixion	mk68 Oil on wood 8'10"x11 2 2/1" Colmar Unterlinden Museum 1510-1515 Germany
30465		Isenheim Altar Allegory of the Nativity	mk68 wood Colmar Unterlinden Museum 1510--15115 Germany
52033		Isenheim Altarpiece	c. 1515 Oil on wood
52044		Lamentation of Christ before 1523	Oil on pine wood 36 x 136 cm
52031		Meeting of St Erasm and St Maurice	1517-23 Oil on wood, 226 x 176 cm
87825		Meeting of St Erasm and St Maurice	between 1517(1517) and 1523(1523) Medium Oil on wood cyf
87827		Meeting of St Erasm and St Maurice	between 1517(1517) and 1523(1523) Medium Oil on wood cyf
52034		St Antony the Hermit	c. 1515 Oil on wood, 232 x 75 cm
52038		Sts Paul and Antony in the Desert	c. 1515 Oil on wood, 265 x 141 cm
88616		Stuppach Madonna	between 1517(1517) and 1519(1519) Medium Oil on canvas mounted on wood cyf
88617		Stuppach Madonna	between 1517(1517) and 1519(1519) Medium Oil on canvas mounted on wood cyf
23311		The Crucifixion (nn03)	c 1515 Oil on panel 269 x 307 cm 106 x 120 7/8 in Musee d'Unterlinden Colmar
1835		The Disputation of St.Erasmus and St.Maurice	1523 Pinakothek, Munich
1830		The Isenheimer Altarpiece	1510-1515 Musee d'Unterlinden, Colmar
1831		The Isenheimer Altarpiece	1510-15 Musee d'Unterlinden, Colmar
1832		The Isenheimer Altarpiece	Musee d'Unterlinden, Colmar
85935		The Lamentation	1515(1515) Medium Oil on wood cyf
21368		The Meeting of St Erasmus and St Maurice (mk08)	c.1520-1524 Oil on wood 226x176cm Munich,Bayerisch Staatsgemaldesammlungen,Alte Pinakothek
1834		The Mocking of Christ	Pinakothek, Munich
88028		The Mocking of Christ	1503(1503) Medium Oil on pine panel cyf
90045		The Mocking of Christ	1503(1503) Medium oil on pine panel Dimensions Height: 109 cm (42.9 in). Width: 73.5 cm (28.9 in). cyf
21365		The Mocking of Christ (mk08)	c.1503 Oil tempera on wood 109x73.5cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
52036		The Resurrection	c. 1515 Oil on wood
1829		The Small Crucifixion	1511-20 National gallery of Art, Washington DC
1828		The Stuppach Madonna	1518
72753		Verspottung Christi	Date 1503-1505 Medium Oil on wood cyf
56843		Yisenhaimu altar painting, Good Friday to map	mk250 Yisenhaimu Germany, from San Antonio hospital chapel next. About the year 1510-1515. On-board painting, mosaic in the middle board 298.5 x 327.7 cm. Flank for the 250.2 x 340.4 cm. Taiwan altar on the painting of vertical sat 74.9 x 340.4 cm. Keer Ma, Ante Linden Museum.

Matthias Grunewald

German 1475-1528 Matthias Grunewald Galleries Only religious works are included in his small surviving corpus, the most famous being the Isenheim Altarpiece, completed 1515, now in the Musee d'Unterlinden, Colmar. Its nine images on twelve panels contain scenes of the Annunciation, Mary bathing Christ, Crucifixion, Entombment of Christ, Resurrection, Temptation of St. Anthony and saints. As was common in the preceding century, there are different views, depending on the arrangement of the wings; but the three views available here are exceptional. The third view discloses a carved and gilded wood altarpiece in the centre. As well as being by far his greatest surviving work, the altarpiece contains most of his surviving painting by area, being 2.65 metres high and over 5 metres wide at its fullest extent. His other works are in Germany, except for a small Crucifixion in Washington and another in Basel, Switzerland. He was asked in about 1510 to paint four saints in grisaille for the outside of the wings of Durer's Heller Altarpiece in Frankfurt. D??rer's work was destroyed by fire and only survives in copies, but fortunately the wings have survived. There are also the late Tauberbischofsheim altarpiece in Karlsruhe, and the Establishment of the Santa Maria Maggiore in Rome (1517-1519), Freiburg, Augustinermuseum. A large panel of Saint Erasmus and Saint Maurice in Munich probably dates from 1521-24, and was apparently part of a larger altarpiece project, the rest of which has not survived. Other works are in Munich, Karlsruhe, and Rhineland churches. Altogether four somber and awe-filled Crucifixions survive. The visionary character of his work, with its expressive colour and line, is in stark contrast to Albrecht Durer's works. His paintings are known for their dramatic forms, vivid colors, and depiction of light.

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